What happens when a grandfather’s cruelty becomes the foundation of a legend? When rejection births resilience, and a disinherited child grows into the heartbeat of an empire? The story of Maharaja Sir Kishan Parashad Shad is not written in gold letters across history textbooks, yet it deserves to be. The man who carried poetry in one hand and governance in the other, who married across faiths before the world understood tolerance, and who turned personal tragedy into public triumph. His life reads like an epic that history somehow forgot to celebrate loudly enough.
main samajhta hun tujhe meri wafa yaad nahin
Maharaja Sir Kishan Parashad Shad
tu samajhta hai mujhe teri jafa yaad nahin
The Unheard Childhood of a Dreamer
Born in 1864, the young Kishan Parashad’s life was not silver-lined at the start. His own grandfather, Narinder Pershad, disinherited him, giving the family legacy to a younger sibling. Imagine this grand old Hyderabad house, heavy doors closing on the aspirations of a child once chosen for greatness. Yet, for Kishan, there was more power in resilience than in inheritance. The shock did not break him.
fana kahte hain kis ko maut se pahle hi mar jaana
Maharaja Sir Kishan Parashad Shad
baqa hai nam kis ka apni hasti se guzar jaana
Instead, Salar Jung I, the celebrated reformist and administrator, noticed the deserted boy’s spirit and adopted him into his own circle. The lessons that followed were not only of maths or languages but of life itself. In the company of Salar Jung’s own sons, Kishan learnt the discipline of Western education and the glitter of Mughal etiquette and even mastered medicine, accountancy, astrology, and Sufism side by side.
ab dimagh-o-dil mein wo quwwat nahin wo dil nahin
Maharaja Sir Kishan Parashad Shad
‘shad’ ab ashaar mere dar-KHur-e-mahfil nahin
In those echoing school corridors, a future was being quietly shaped, stitched with hope and struggle. Maybe that is why his poetry and governance later bore the heartbeat of every underdog and dreamer.
The Untold Struggles and the Making of a Statesman
Life rarely moves in straight lines. For Kishan Parashad, his entry into public service was a slow climb shaped by setbacks as well as opportunities. In 1892, he started as a deputy minister (Peshkar), quietly learning the ropes in the grand Hyderabad court. The world knew Hyderabad for its opulence, but bureaucracy was a web often tangled with politics. Yet, Kishan’s sincerity stood like a lamp in fog.
mujh ko apni KHudi se nafrat hai
Maharaja Sir Kishan Parashad Shad
apni hasti se hi adawat hai
His bond with the childhood friend, Nizam Mahbub Ali Khan, was both a strength and a test. In 1901, overcoming many silent battles, he was appointed Dewan (Prime Minister) and given the rare title “Yamin-us-Sultanat”, the very right hand of the realm! He took this responsibility as a sacred calling, not a crown. When Hyderabad was struck by the Great Musi Flood of 1908, with water raging through homes, drowning hope, he did not vanish into luxury.
us ne kaha kaba tera main ne kaha chehra tera
Maharaja Sir Kishan Parashad Shad
us ne kaha chehra tera main ne kaha jalwa tera
Kishan advanced salaries, waived debts, and walked amidst devastation as just another man in grief. Under his leadership, the state’s revenue didn’t just rise but quadrupled, each rupee hard-earned and harder-spent on the public. Behind these numbers stood a history of sleepless nights, compromises, and personal pain, but also moments of pride and togetherness, which he cherished more than medals.
haT-dharmi ki kahun ki main iman ki kahun
Maharaja Sir Kishan Parashad Shad
apna karun bayan ki teri shan ki kahun
Stories of Harmony, Courage, and Deep Humanity
If there is a single thread that runs through Kishan Parashad’s life, it is communal harmony. His own family was a tapestry; he had seven wives, both Hindu and Muslim, each allowed to follow her religion, their children too growing up with the faith of their mothers. This was not tokenism; it was true belief in the Ganga-Jamuni tehzeeb that united North India’s rivers of faith.
jab riha ho jaunga main ranj-o-gham ke dam se
Maharaja Sir Kishan Parashad Shad
tab kahunga ab guzarti hai baDe aaram se
There are stories whispered in Hyderabad: Maharaja Shad, as he was known in poetry circles, once sat a beggar on his ornate sofa and served him tea in his own drawing room. When questioned, he declared, “Do not despise anyone. You never know; it may be God himself who visits you in the guise of a beggar.” And another story, hybrid and heartfelt, where artists from as far as Persia would gather in his home at dawn, regardless of class or religion.
jab riha ho jaunga main ranj-o-gham ke dam se
Maharaja Sir Kishan Parashad Shad
tab kahunga ab guzarti hai baDe aaram se
Painters, musicians, and poets, no matter their ‘quality’ or creed, always found encouragement from Kishan. At public events, be it the grand opening of a clinic or a humble circus, he appeared not as a ruler but as a people’s man and, during marriage seasons, would attend even the simplest weddings among Hyderabad’s poor if invited. In every gesture, his belief in unity and respect can be felt, redefining what greatness means.
baada-e-KHum-e-KHana-e-tauhid ka mai-nosh hun
Maharaja Sir Kishan Parashad Shad
chur hun masti mein aisa be-KHud-o-madhosh hun
The Poet Called “Shad”: Writings that Echo New Freedom
Few realise how profoundly Maharaja Sir Kishan Parashad, under the pen name “Shad”, the happy one, shaped Urdu and Persian poetry in Hyderabad. Influenced by Sufism’s depth and India’s plural spirit, his verses were more than art; they were invitations to freedom and truth. He boldly wrote, “I am neither Hindu nor Muslim. My faith reposes in every religion… Only the free can fathom the essence of freedom.”
muzmar hai baqa hasti-e-alam ki fana mein
Maharaja Sir Kishan Parashad Shad
ek jalwa-e-wahdat bhi hai kasrat ki faza mein
His literary magazine, Mahbub Al Kalam, became a beacon, with ghazals creating dialogues on love, sorrow, and oneness. Even the mighty Nizam contributed, displaying how poetry bridged powers that politics often divided. Shad’s personal joys included painting, playing the sitar, photography, and sculpting, which was rare for a statesman.
subh ko nikla tha garche karr-o-far se aaftab
Maharaja Sir Kishan Parashad Shad
munh phiraya ho KHajil us ishwa-gar se aaftab
There is beauty in how he transformed every sorrow, be it childhood pain or public criticism, into compassionate creativity. Kishan’s verse remains alive because it lifts the veil between religions and hearts. Each couplet and each action tells us: true greatness is emotional honesty, upliftment, and an undivided soul.
mahfil mein tere kaun tha jo shadman na tha
Maharaja Sir Kishan Parashad Shad
sab the sharik-e-bazm magar main wahan na tha
The Impressive Legacy: Laughter, Loss and Lessons for Today
Maharaja Sir Kishan Parashad Shad received knighthood twice (KCIE, GCIE) and admiration even from British administrators. Yet, perhaps his highest honour was the love and gratitude of Hyderabadis from all walks of life. Family accounts say that after his passing in 1940, the Nizam mourned that “the last vestige of the Mughal empire” had left the world. What stands as his truest memorial, though, are the lives he touched, the communal peace he symbolised, and the poetry that still breathes unity.
KHamdar aur gesu-e-KHamdar ho gaya
Maharaja Sir Kishan Parashad Shad
abru-e-yar ka ye taraf-dar ho gaya
Kishan’s personal and political struggles, ranging from being disinherited to crossing boundaries for love to facing floods and criticism, taught him to value humility and laughter above all. His death did not end his influence; it only made the untold and unheard stories of his courage, vision, and compassion more precious. For anyone struggling against odds or wishing to bridge divides, his life shines as an emotional, truly Indian inspiration, a mosaic where every heartbreak and triumph is poetry in motion for a better world.
Also Read: Tomb of Sher Shah Suri: An Emperor’s Dream Palace Floating On Water
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